I think it’s just such a beautiful thing to be able to step outside and listen to all of this
Australian landscape artist Vicki Powys has been field-recording wildlife since 1986. She has written many papers on birdsong, and, for
Looking down at my walking shoes, still dusty from my last walk, I felt the physical absence of my recording
I’ve wanted to share my updated process for organizing recordings for a long while. A few years ago I wrote
Hoopoe, starling, golden oriole. It’s an especially warm morning – a surprise after weeks of cloudy skies. I make an
With practice and attention, our ability to listen evolves over time. It’s determined by a range of factors, including our
Ivo Vicic is a sound recordist and music producer whose wildlife field recordings first grabbed my attention during a period
Seán Ronayne inherited his life-long love of birds from his father and grandfather. One of his first memories involves being
It was three in the morning when I woke up, annoyed that it was too early. After tossing and turning
Chris Hails grew up in Bolton, an industrial town in the north of England. He enjoyed attending university in Scotland,
“The Atlantic Forest domain stretches from the northeastern to the southern regions of Brazil and northern Argentina and southeastern Paraguay.
Axel wears many hats: director, wildlife sound specialist, conservationist, and spatial audio designer. With his brother Ario, he also runs
Mélia Roger is a French field recordist working on the sidelines of the sound arts and cinema industry. She creates
We started speaking about the world, about the mountain, about the weather, but we are no longer speaking so easily
I was first drawn to Kim V. Goldsmith’s work because of its pluralism. But it is also centered around matters
Started in 1979 by Joseph Cornell, Sharing Nature is a worldwide movement that brings people into closer contact with nature,
Altitude, and an almost complete absence of human intervention. How do you face such grandiosity without any mundane contemporary distraction?
I came across Lars’ recordings more than a couple of years ago when I was working on some of my
